April Fools Day Musings

For a laugh, read Ed Champion’s April Fools' Day posts.

I was very happy to see this film deal reported in Publisher’s Marketplace:

Mark Kurzem's THE MASCOT: UNRAVELING THE THE MYSTERY OF MY JEWISH FATHER'S NAZI BOYHOOD, to Heathcliff Productions, in a significant deal, by Sarah Self at The Gersh Agency, on behalf of Robert Guinsler at Sterling Lord Literistic.

The Mascot is the amazing story of Kurzem’s father, who escaped annihilation during the Holocaust and lived like a pet with Latvian soldiers during the war. He dressed up in miniature Nazi uniforms and had to pretend he was not Jewish, all the while living among soldiers who were hunting other Jews. After the war, he moved to Australia and promptly repressed his history until it came back to haunt him. It's a remarkable survival story.

Another shout-out:

I went to see novelist/performance artist Alison Larkin on Sunday in a benefit for PACT, an adoption alliance. I went because I was intrigued by Larkin’s new book, The English American, but left with a deeper appreciation for the conflicts and identity crises that can face adopted children.

Larkin was born in Bald Mountain Tennessee and was adopted by a British couple. The family lived in Africa and then moved back to England. Larkin didn’t know she had American roots until her adolescence and she created a one-woman show about her dual identity that was a smash hit in Britain.

From that, Larkin wrote The English American, a very funny novel with an adoptive heroine at its center. The protagonist has a happy childhood, but still wants to uncover her roots. For a taste, consider these opening words:

“I think everyone should be adopted. That way, you can meet your birth parents when you’re old enough to cope with them. Of course it’s all a bit of a lottery. You never know who you’re going to get as parents. I got lucky. Then again, if I’d been adopted by Mia Farrow, rather than Mum and Dad, today I could be married to Woody Allen.”